The Lumix S9 didn’t start out that well. It’s a great, low-cost full frame vlogging/video camera that’s also great for stills photography, but it had a lacklustre response at launch. What’s the problem? Its design and specs are fine but unadventurous and, worse, its small size also works against it and it feels awkward and unbalanced with larger lenses. This means the new Lumix S20mm f/2.5 is a very welcome addition.
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Is the Canon EOS R8 II REALLY that much better than the original?
By Fotovolo
The Canon EOS R8 II has arrived, with some unexpected similarities to the old model, some welcome ergonomic changes and a new, er, design. It looks like this might be Canon’s long-rumoured ‘retro’ camera…

Sony’s new 400mm and 600mm supertelephotos can save you $20,000 and 4kg in weight!
By Fotovolo
You might have been underwhelmed by Sony’s announcement of its new FE 400mm f/4.5 GM OSS and FE 600mm f/6.3 GM OSS. Neither is cheap and both look quite slow compared to Sony’s existing FE 400mm f/2.8 GM OSS primes FE 600mm f/4 GM OSS. But it’s time to let the numbers tell the story because the savings in cost and weight are HUGE.

The OM PEN is officially launched and, if you ask me, OM could not have judged it better
By Fotovolo
OM System teased its new camera well before its official launch, and while it gave very little away, it was clearly a rangefinder-style camera with an integrated EVF. Combined with OM’s own interview responses over the past few months, this suggested a new PEN-series camera with the compact, pocket friendly format that made the original PEN series so popular,

These cameras are HOW old??
By Fotovolo
This list might surprise you. It surprised me, anyway. It includes a whole bunch of cameras I still think of as being like, well, new(ish) but when you check the dates it turns out they’ve been around longer than we think.

New Fujifilm XF400mmF4.5 R LM OIS WR supertelephoto could be huge for sports and wildlife
By Fotovolo
The XF400mmF4.5 R LM OIS WR is a very interesting addition to the Fujifilm telephoto lens range and complements the high-speed Fujifilm XH2S and its stacked sensor and Fujifilm’s growing strength in the sports and wildlife market.

OM Systems’ new rangefinder-style camera will have just one rival – and it’s a tough one
By Fotovolo
You might imagine the market is full of rangefinder-style mirrorless cameras with viewfinders, but those days are gone. Olympus itself only made a camera like this once before – the PEN-F – and while Panasonic made a bunch of compact GX-series cameras that might have competed, they are long gone. So what’s left that could compete with the new OM.

DSLR autofocus issues and AF fine tuning
By Fotovolo
A comment in one of my recent articles about DSLRs made me realise that this was a topic I hadn’t covered. I am a DSLR fan (you may have noticed) but it’s true that DSLR phase-detect autofocus, while fast and efficient, is not always as accurate as a modern mirrorless system. I’m not talking about AF tracking or AF point coverage across the frame, I’m talking about precision, and the more complex way that DSLR autofocus works.

OM System teases new PEN-style camera, but you’ll have to wait until September 9 for the unveiling
By Fotovolo
This is the news that will make any Micro Four Thirds fan leap from their chair. It’s a short video, but it shows something completely unlike recent D-SLR shaped cameras from OM System. It looks – gasp – like a PEN!

Sony has just won two EISA awards. one for the A7 V and one for the A7R VI, but is this really significant?
By Fotovolo
EISA stands for Expert Imaging and Sound Association, and it hands out camera awards every year. It’s not the only organisation to do this as there is also TIPA (Technical Image Press Association), which announces its own awards earlier in the year. Both organisations license out their award logos for camera makers to use in their marketing. If that sounds a little cosy, well, kind of.

Which is better, IBIS or OIS? Myths, claims and real-world experience don’t always align
By Fotovolo
IBIS, or in-body stabilization, is considered the gold standard for image stabilisation today, and lens-based optical image stabilisers are consider old tech, or second best at least. But is that actually correct? And if OIS is so old hat, how come so many lenses still use it?
