Shortly after launching its new flagship full frame hybrid camera, the Lumix S1R II, Panasonic has launched two new models, this time replacing its original Lumix S1. The Lumix S1 II is the more powerful of these two new models, while the Lumix S1 IIE is a more affordable option.
News
The latest happenings in the world of digital imaging, whether it's camera news, new lenses, new tripods camera bags or other accessories or any other significant events in the world of photography and video.
The new Canon RF 75-300mm f/4-5.6 is incredibly cheap… for a reason
The Canon RF 75-300mm f/4-5.6 is a VERY cheap full frame RF mount telephoto which has kind of appeared out of the blue. Its headline feature is surely its price – just £289 in the UK, with US pricing yet to be confirmed. So at that price, there’s got to be a catch, right? Oh yes.
Sony announces the FE 50-150mm f/2 G Master, taking full frame f/2 zooms into new territory
Canon may have started the f/2 full zoom trend with the monster-sized RF 28-70mm f/2 L USM, but it didn’t take Sony too long to hit back with its own Sony FE 28-70mm f/2 G Master lens, and now it’s gone a whole step further with the amazing FE 50-150mm f/2 G Master.
Insta360 X5 is launched: same video specs, tougher build
The Insta360 X4 was a major upgrade to the X3 version before it, bringing 8K 360 capture and boosting the regular video output to 2.7K instead of 1080 (or 2K). The X5 builds on this using the same video tech but with an increase in waterproofing capabilities to 49ft versus the 33ft of the X4.
The classy Nikon Zf gets a version 2 firmware update with some intriguing new options
The Nikon Zf is the company’s second retro-inspired mirrorless camera. The APS-C format Nikon Z fc was the first, but the Zf is a full frame camera with noticeably better build quality and finish. It was clearly a class act from the start, but Nikon’s version 2 firmware update, just announced, adds new features that could really strike a chord with this camera’s audience.
The Nikon Z5II is here, and I have to say I’m impressed
The original Nikon Z5 hung around for a while as a decent but basic entry-level camera in Nikon’s full frame mirrorless line-up. Now, after much anticipation, the Nikon Z5II is here – and the new model is a substantial upgrade in terms of autofocus, video and even ergonomics. Well done Nikon!
Is the new Canon EOS R50 V a godsend to creators or just clever but confusing marketing?
The entry level vlogging/content creator market is looking very, very crowded right now. Camera companies aren’t just competing with each other, but with cameras in their own line-ups. And the Canon EOS R50 V seems a prime example, taking some things away from an existing model, adding some new things and creating an even more confusing set of choices than ever. It might be a great camera, of course, so let’s run through the specs to try to see what’s going on.
The Canon RF 20mm F1.4L VCM is the latest addition to Canon’s hybrid lens range
But just what is different about these hybrid Canon lenses compared to the regular ones we’re already using quite happily for video? A few things, as it turns out, including manual iris rings, electronic parfocal focusing, focus breathing suppression and optional Power Zoom Adapter PZ-E2 and PZ-E2B add-ons.
Canon PowerShot V1 launched, with predictable design but impressive specs
The Canon PowerShot V1 is a video/vlogging compact camera with a vari-angle screen and no EVF and a fixed 3x zoom lens. How many MORE of these box-shaped ‘creator’ cameras can the industry churn out? A lot more, probably, so the PowerShot V1 does need to do things a little differently to stand out from all those that have gone before.
The Sony FE 400-800mm f/6.3-8 G OSS fills a gap, but is it enough?
Sony is trying to make a name for itself in the world of professional sports photography, and on the camera front it’s done a great job with the Sony A9, the A9 II and then the A9 III with its astounding full frame global shutter for zero shutter distortion at any shutter speed. But you’ve also got to count in the excellent-but-expensive Sony A1 and A1 II, offering 50MP resolution and incredible burst speeds at the same time. So what’s happening with the lenses?